The quotidian is my raw material, its muted possibilities my driving force. By weaving choreography and imaginary narratives into fact-based stories, my work dramatizes gestures of memory. I aim to offer a physical perspective on politics, as somatic remembrances provide a site for memory outside of spectacle which question the duration of the event. Portraying bodies entangled in history and conflict, I seek to preserve and articulate the confounding, agitating effect these histories have upon us.